Monday, April 30, 2012
Thursday, April 26, 2012
Meeting @ Rivermill
Student Resistance Resources
Felder, R. M. and Brent, R. "Navigating the Bumpy Road to Student-Centered Instruction"
Achieve Academe
To reiterate, the idea is to create a cohort of participants to come together and help each other prepare for the application process for academic positions. My hope is that it will be a collaborative effort, and that there will be a number of stakeholders driving the direction of the group; in the mean time I've set up a couple of things to get it rolling, like a website. It's run through Google sites, so anyone interested in coordinating will be added as an editor; no need to be onsite to collaborate.
My initial vision of the group would be to have it run both fall and spring semesters, with a (mostly) new cohort in each semester. Activities could include an initial research presentation, an off-beat presentation (reading kids books?) to practice presenting to a different type of audience, a version of your research presentation targeted at middle school students, and a final presentation incorporating all the feedback. In between these we could review each other's written materials for the application package, practice mock interviews, discuss the job hunt, etc. My favorite activity currently proposed is a couple of panel discussions with young professors about their experiences in getting a position, and their experiences on search committees. I've already got a half dozen or so of my friends who are profs to commit as volunteers, but I get the feeling that we'd have young (and old) profs coming out of the woodwork to do this if we started asking around.
There are some documents posted to the website, including a couple of handouts and, for those not violently opposed, a rubric for presentations. My objective for the rubric is to move toward constructive criticism of our work, and away from emotional support. All the documents are considered to be drafts of course.
You may have noticed that I used "my" often in this post... that's because I've been waiting for YOU to join in so that we can make OUR plans for the group. Please email me if you're interested at johns80@vt.edu. I'm very hopeful that this summer we can finish developing the content and dive into it in the fall.
Thank you!!
John
Wednesday, April 25, 2012
Hilarious Youtube Videos about Teaching (Not Much Learning...)
http://www.youtube.com/watch?v=WVvKnq5XT-g
There are lots more (some of which are kinda' vulgar... just a warning). If you're ever really frustrated with students, these might help.
Wednesday, April 18, 2012
Coursera - free online college courses from UPenn, U Michigan, Stanford
Last year when Andrew Ng, a computer science professor at Stanford University, put his machine-learning class online and opened enrollment to the world, more than 100,000 students signed up.
"I think all of us were surprised," he says.
Ng had posted lectures online before, but this class was different.
"This was actually a class where you can participate as a student and get homework and assessments," he said.
The class was interactive. There were quizzes and online forums where teaching assistants, fellow students and Ng answered questions. In the end, tens of thousands of students did all the same work and took the same tests that Stanford students took; thousands passed.
"By providing what is a truly high-quality educational experience to so many students for free, I think we can really change many, many people's lives," Koller says.
Princeton, the University of Pennsylvania and the University of Michigan will join Stanford. Two Venture capitalists are investing more than $15 million in the company.
Koller says she believes online classes could bring university classes to millions of people who are now effectively cut off.
But to do this, these classes have to be effective at teaching more than just computer science. How will they teach hundreds of thousands of students to write?
"You've asked the right question," asks Al Filreis, a poetry professor at the University of Pennsylvania, "which is: You are really going to try to do a poetry course?"
They are. In fact, Filreis is the guy they have roped into doing just that. He will teach modern and contemporary American poetry online for free starting in the fall. He says he knows he's not going to be able to grade thousands of essays.
But "I am really, really game and open to other ways of understanding whether people are getting it because my university has decided to let me free," he says.
Filreis isn't looking for correct answers. He wants people to think about the poems he's teaching and engage one another.
"Poetry is really good in this setting because you can read it alone and get so much out of it, and be perfectly fine with it, but the next step was [to] hang out with some intuitively smart people and collectively — together, collaboratively — let's read the poem together," he says.
In his class this fall, Filreis will discuss poetry with a small group of students while potentially thousands make comments online. Coursera is building a system like Yelp that will let these students value each others comments; the most valued and respected will rise to the top.
Will all this work? Is this a way to teach poetry or anything else? Filreis isn't sure, but he's excited to give it a try. And it's possible this fall he could reach more students with poetry than he has in his entire career.
Tuesday, April 17, 2012
FDI workshop on EndNote X5 for Windows offered Apr 24
Torgersen 3080
Led by Vicki KokRegister now
Sunday, April 15, 2012
Meet the HRCuleans!
You have read their blogs and admired their talent.
Now, come by to the HRC to see where they live.
HRC-tour followed by pizza and conversation
Tuesday, 17th April from 1700 hours onwards.
If you would like to join in, write in to Wes at cardwell.wes@gmail.com.
Saturday, April 14, 2012
Wednesday, April 11, 2012
Udell and Engelbart
Tuesday, April 10, 2012
Your questions for Udell posted in the resource folder
Thanks to all of you who sent me questions for Jon Udell's visit with us tomorrow. I complied/remixed the questions from those I received from you. Please review 'em before seminar, as well as the readings. (There is a new doc posted in this week's resource folder that has the questions.)
If you didn't have a chance to send my any questions, no worries; you may read your colleagues' and get inspired to think about follow-up contributions to keep the conversation engaging.
Thanks!
Monday, April 9, 2012
How to get a teaching job at a liberal arts college
http://chronicle.com/article/How-to-Get-a-Teaching-Job-a/47964/
How to Get a Teaching Job at a Liberal-Arts College
At the end of the two-day workshop, we started talking about job prospects. As I listened, I realized how little the students knew about liberal-arts colleges and how much my views on the job-search process differed from those of the other two faculty members at the workshop, both of whom came from large research universities.
I'm not sure how many of the 12 graduate students ended up seeking jobs at liberal-arts colleges, but here is what we discussed. Perhaps it may be of use to recent Ph.D.'s and graduate students who are considering a career at a small college.
Start by thinking about how you present yourself.
Learn about undergraduate education. You are not ready to write your letter of application to a liberal-arts college until you spend some time learning about recent developments in undergraduate education. Start with the following organizations: the Association of American Colleges and Universities, the Annapolis Group, the Carnegie Foundation for the Advancement of Teaching, the Council of Independent Colleges, and the National Association of Independent Colleges and Universities.
If you are applying to a college that is a member of a particular consortium, look up that organization as well: GLCA, ACM, ACS, ACA, COPLAC, ASIANetwork. Put ".org" after most of those initials and you'll find organizations that provide professional-development and networking opportunities at liberal-arts colleges. As you explore those Web sites, note the colleges' distinguishing features, such as the high rates of alumni earning Ph.D.'s and the disproportionately high representation of our graduates among scientists.
About 600 or so baccalaureate institutions refer to themselves as liberal-arts colleges, even though many of them are officially classified otherwise. Using the standard definition—a liberal-arts college is one that grants at least half of its undergraduate degrees in arts and sciences—the number becomes 200 to 300. The terms and criteria are confusing. Make sure you know the differences in meaning among liberal education, liberal arts and sciences, general education, and liberal-arts colleges.
The letter of application. Study the job posting and the college's Web site, looking particularly for information about its teaching philosophy as represented in the mission statement, its learning goals, a description of the major, faculty bios in the department, and so on. Mention what you have learned in your letter.
Generic letters do not capture our attention. Neither do letters that spend paragraph after paragraph describing your dissertation and its importance to the field. We know that you're writing (or have written) a dissertation. What we want to hear about is your teaching: What courses you have you taught? What have you learned from that experience? Besides transmitting content, what do you hope to achieve with your students?
We also want to hear a little bit about ourselves in your letter: What is it about us that attracts you? Have you ever lived in a community such as ours, in this geographic location? Had you heard of us before you saw the job posting?
Your curriculum vitae. Position your teaching experience toward the top of your CV. List the courses you've taught (with a brief description of each), your role in the course, the number of students, and perhaps the required texts. If you have teaching evaluations, include a few copies with your application materials, or make reference to them in your letter, vitae, or separate statement of your teaching philosophy. Your publications and presentations do not need annotations; a mere list will suffice. Along with your professional memberships, list the conferences you've attended, even if you were not a presenter.
Letters of recommendation. Tell your recommenders that you are applying to liberal-arts colleges and ask them to tailor the letters they write on your behalf to a teaching institution by including information about your teaching, communication style, and work with people in professional contexts. Of course, your recommender should mention your dissertation, too, but we don't need a lot of detail. We're most interested in the projected date of completion.
Teaching experience as a graduate student. Teaching a course on your own is a good credential, but serving as a small-group teaching assistant can also be a wonderful opportunity. At our colleges, most classes are relatively small and include time for discussion, a variety of writing assignments, meetings with the professor, small-group work, and student presentations. We also provide feedback to students early and often. Straight lecture courses with a midterm and final exam just don't work for us. Experiment with various pedagogical techniques in your graduate teaching and tell us about them.
If your graduate program doesn't offer teaching opportunities, you might ask your professors to allow you to present part of your dissertation research in their courses. You also can ask to observe them teaching undergraduates, especially in courses that include a variety of teaching strategies. Ask for a copy of the syllabus, handouts, and assignments. Talk with your professors about teaching, and, if your college offers workshops or courses for new instructors, take advantage of them.
If you're lucky enough to get an interview, there is a lot you can do to prepare.
The schedule. We typically interview three or four candidates. You can tell a lot about a department by the materials you receive and how well your campus visit is organized. You should receive a detailed schedule that includes the names and position titles of the people you will meet, along with phone numbers for your main contact person and information about lodging. The college will most likely provide a travel-reimbursement form when you arrive, but if you are concerned about who is paying for your travel costs, you might tactfully raise the issue when you are scheduling your visit.
Once you have your schedule, look up each person on the college's Web site. Memorize their names and learn something about them. These people are on your schedule for a reason: The librarian might be the liaison to the department; the IT person might be involved in a new departmental program. Don't be afraid to ask about anything that you are unsure of. If you have a special interest or expertise outside of the department, perhaps in an interdisciplinary program, you might want to request a meeting with a representative of that program. Here, too, you need to be tactful, especially if it is something your contact person already should have thought of.
Your presentation. Most liberal-arts colleges require candidates to make presentations of some sort. Ask about the audience, the time allotment, and the search committee's expectations. You probably don't want to present your dissertation research, especially if it requires a lot of background understanding in your field. Instead pick a topic you enjoy that will be of interest to undergraduates.
We are most interested in you as a teacher, so you should pay as much attention to pedagogy as to content. If it is impossible to create opportunities for student involvement in your talk, then spend a little time talking about your approach to teaching. Make sure you leave the group with the sense that you are passionate about the subject and about teaching.
Questions. The people you meet will have questions, and you should have some, too. Start by making a list of things they might ask. Then create brief responses. Read those over and over ahead of time. Also reread your cover letter and other materials, so that you say the same things in person as on paper.
Your questions for the search-committee members and others should be specific to the college or the person. Since you'd be a member of a small department, you should find ways to inquire about how well the faculty members work together. For instance: How often does the department meet? Who is invited to attend? What are some recent initiatives? What changes are on the horizon: personnel, curriculum, etc.? Who teaches which courses? A successful department at a liberal-arts college needs everyone's participation. Each person should teach lower-division courses, serve on campus committees, and take advisees. Beware of situations in which you are asked to take on all of the less-desirable tasks.
Now make the most of your interview.
The search committee. It will probably include all of the department's faculty members and a student or two. Small departments might add another professor or administrative-staff member. In most cases, the search committee will make a hiring recommendation to the academic dean, who typically will support the choice. Everyone who has met you, including meal companions and shuttle drivers, will be asked to provide feedback to the committee. Remember that you are always on. Casual comments on the way to the airport inevitably find their way back to the search committee.
The chief academic officer (provost or dean). The CAO's job is to sell you on the college and the local community. During this meeting, the best approach is to listen. A seemingly offhand comment about departmental tension or an unfavorable aspect of the position is probably an attempt to prepare you. Remember those comments for later negotiations. Also remember the positive comments, such as "We'll find your spouse a job." The CAO is a good person to ask about interdisciplinary or other opportunities at the college. If you are offered the position, you should explore all of those issues further before signing the contract. (More on that later.) But remember that the interview is not the time for such negotiations.
Staff members and students. You may meet students and staff members only in passing, but take those interactions seriously. Introduce yourself to the department secretary and give a greeting or smile whenever you pass by. Our colleges are communities, and we want to know that you value each of us. The same is true for interactions with students. How you handle casual conversations gives us insight into what you'll be like as a colleague and teacher.
Committee representatives. You may meet with representatives of the faculty-governance, personnel, or other committees. They typically provide details about campus policies and procedures that sometimes become hard to follow. You don't have to understand everything now. Use the opportunity to get a sense for what faculty members take pride in and how they represent their colleagues and the institution to you.
Repeat, repeat, repeat. Make sure each group you meet takes away a good impression of you. If you have specific strengths to highlight, they bear repeating to everyone you meet.
If a job offer comes, be ready with some questions.
A conversation with the chief academic officer. The provost or dean of academic affairs is typically the person who calls to offer you the job. The expectation is that you will ask some questions and then take a few days or a week to make your decision. This conversation is the time to clarify any conditions that you may have discussed while you were on the campus. Some of our colleges will consider spousal hires or joint teaching positions. Now is the time to get a commitment, perhaps in writing. Also ask about start-up money for your research, especially important in the sciences. If you don't have any specific needs, ask for a budget for library or technology purchases for your department. Your future colleagues will appreciate it.
The endowment. You may already have noticed information on the endowment while searching the college's Web site. Now is time to take another look. Colleges with small endowments are tuition-driven. Without a consistent supply of students, they struggle. Larger endowments provide a cushion for everything, including faculty salaries. For a college of about 1,200 students, a $150-million endowment offers some financial stability. Double that amount leads to less financial tension. Half as much requires penny-pinching. The other factor here is student enrollment. Check the numbers for first-year enrollment, retention, and graduation rates. If this is your only job offer, the information may not matter. But if you are choosing between colleges, money—yours and the college's—is an important consideration.
Salary and benefits. The CAO will have some discretion in determining your salary and will very likely expect you to counter. Ask whether there is room for negotiation—but remember that many of our colleges have set salary scales across divisions and within faculty ranks, so don't expect much movement. The rationale for a larger salary should not be made on the basis of your qualifications. The college already knows your background and has offered you the job because of it. Instead, focus on things such as cost of living, your spouse's loss of income, and other offers. You also can bargain for moving expenses and other benefits.
On the other hand, you are beginning a relationship with the dean and will no doubt be making other requests in the years ahead. Tact and grace go a long way no matter what the negotiation. You also should avoid asking for things that might have a negative impact on other members of your department, such as course reductions, leaves, or exemption from committees or advisees. You want to be a team player from the start.
Tenure processes. It may seem early to ask about tenure, but it is not too early to clarify procedures. Since many of our colleges encourage participation in interdisciplinary programs in addition to departmental work, you should ask the dean which department or program will have the most input regarding your tenure decision. If your interest is in women's studies, but your department (say, psychology) will provide most of the documentation for your tenure file, you'll have to consider carefully the depth of your involvement in women's studies. Clarify those things before you sign the contract.
Pull it all together for your first year on the job.
Get off to a good start. Draw on the professional expertise and good sense that got you the position. Enjoy your classes. Talk with your colleagues. Attend campus events. Exude positive energy. Be humble. Get enough sleep.
Just an FYI in case you or other graduate students are interested....
Presented by Franny Howes and Michelle Șeref
Friday, April 20th, 10:00-11:30
GLC Conference Room C
Please join us for a workshop on the social relations of interdisciplinary collaboration. We will explore how different systems of power relations act as metaphors in the academy. The workshop will also examine interdisciplinary communication as a form of intercultural communication, and how cultural awareness can prepare scholars to collaborate and avoid misunderstanding.
This workshop is sponsored by the Diversity Scholars program of the Graduate School.
Please RSVP by contacting Franny Howes at fhowes@vt.edu.
About the Presenters:
Franny Howes is a PhD student in Rhetoric and Writing in Virginia Tech’s Department of English. Her research focuses on visual rhetoric, the rhetorical study of comics, and decolonial feminist theory and methodology. In addition to her graduate work, she spent a summer as an embedded humanist in the MSU Digital Evolution Lab, and is a proud alumnus of the AmeriCorps VISTA program. Her comics can be found on the web at osiigs.com.
Michelle Șeref is a PhD student in Rhetoric and Writing at Virginia Tech. Her research focuses on rhetoric as the study of causes and remedies of misunderstanding. She looks at cultural and audience analysis as central components for preparation in communication. Michelle works in the Center for the Study of Rhetoric in Society and has taught in the Engineering Communications Program. She currently works on the NIH-funded interdisciplinary Digging into Data research project. Michelle has a PhD in Operations Management and a Masters in Industrial Engineering.
For those who are ' women in technology' among us, or for women colleagues you may know...
http://www.etsy.com/blog/news/2012/etsy-hacker-grants-supporting-women-in-technology/
http://www.ted.com/talks/jay_bradner_open_source_cancer_research.html
Sunday, April 8, 2012
Surviving Progress
Saturday, April 7, 2012
The Open Science Movement
http://www.ted.com/talks/michael_nielsen_open_science_now.html
Friday, April 6, 2012
Thursday, April 5, 2012
Petition Against "The Many Deaths of Virginia Tech"
Tonight I saw someone post about a book that is available on Amazon.com called "The Many Deaths of Virginia Tech" by Chuck Marsh. I am purposefully not linking to the item itself because I do not want to provide the page with any more traffic than it's already gotten. But to give you an idea just what the book is about, here is the description listed on Amazon:
"Virginia Tech is America's Cursed College, home to horrifying events from hit-and-runs to students being shot in the woods; prison escapes to public self-mutilations; police officers being gunned down to public beheadings; and of course, the notorious mass shooting that killed 33 people. But why is Virginia Tech the most infamous university in the United States? What is the reason for Virginia Tech's many tragedies?
Chuck Marsh has written the only book of its kind: a gripping and frightening account of the Hokie Horrors. The Many Deaths of Virginia Tech is a spellbinding chronicle -- an expose -- of an oversized American university locked in a death-struggle with itself -- or with unseen forces. This book takes the reader on a tour through the many crimes and calamities at Virginia Tech in the past decade: a no-holds-barred account of an out-of-control hunger for violence at an American university."
I am very much for free speech, and not censoring people, but the amount of slander, bias lies, and outright nonsense (read a few sentences of the "Look Inside" and I'm sure you'll agree) in that is in this book should not be something that anyone should read, much less someone should profit off of.
I do not know how many people in this course were here during the shootings and the many other events, but I hope you will all stand behind me and sign the petition I created to get Amazon to remove this book from its website and be sure to share it with your friends, family, co-workers, anyone that supports Virginia Tech.
I am proud to be a Hokie and the Hokie Nation is even stronger, not "cursed" as he calls it, after all the events that have taken place on campus. Help me show Chuck Marsh what it means to be a Hokie.
Wednesday, April 4, 2012
A Mother's Perspective on Smart Phones
This recent article from The Huffington Post's Blog - "Smart Phones: Do They Make Your Kid -- And You -- Stupid?" - was written by a mother, Debra Ollivier, who refuses to buy her 16-year-old son a smart phone. Her reasons line up nicely with some of the opinions that we read about for class this week.
I thought some of you might enjoy looking at the topic from a parent's perspective since I know that we have quite a few parents in class!
Tuesday, April 3, 2012
Since we have had to write our own...
Thursdays, 4:00-7:00pm
Taught by Kris Tilley-Lubbs: An alternative methodology for conducting research, autoethnography explores the social, political, historical, psychological, and cultural realms through personal introspection and reflection. Students will read significant and foundational works by leading scholars in the field, particularly those by Carolyn Ellis, Art Bochner, Carol Rambo, Ron Pelias, and Christopher Poulos. There will also be ample opportunity for autoethnographic writing and feedback.
Monday, April 2, 2012
Liberal Education and America's Promise (LEAP)
Greetings -- I found the information below on Essential Learning Outcomes on the Association of American Colleges and Universities website and I thought you would find it of interest. Here is the website link: http://www.aacu.org/leap/vision.cfm
Liberal Education and America's Promise (LEAP)
Essential Learning Outcomes
The LEAP campaign is organized around a robust set of "Essential Learning Outcomes" (pdf) -- all of which are best developed by a contemporary liberal education. Described in College Learning for the New Global Century (pdf), these essential learning outcomes and a set of "Principles of Excellence" (pdf) provide a new framework to guide students' cumulative progress through college.Through its VALUE Initiative, AAC&U has developed a set of rubrics to assess many of the following learning outcomes. Beginning in school, and continuing at successively higher levels across their college studies, students should prepare for twenty-first-century challenges by gaining:
Knowledge of Human Cultures and the Physical and Natural World
- Through study in the sciences and mathematics, social sciences, humanities, histories, languages, and the arts
Intellectual and Practical Skills, Including
- Inquiry and analysis
- Critical and creative thinking
- Written and oral communication
- Quantitative literacy
- Information literacy
- Teamwork and problem solving
Personal and Social Responsibility, Including
- Civic knowledge and engagement—local and global
- Intercultural knowledge and competence
- Ethical reasoning and action
- Foundations and skills for lifelong learning
Integrative and Applied Learning, Including
- Synthesis and advanced accomplishment across general and specialized studies